WebPreview. It makes sense that Kind of Blue is the most popular jazz album ever. It's the genre's greatest hit, the equivalent of a perfect game. It rearranged the musical landscape and we're still feeling aftershocks from those famous sessions. Being a jazz musician after Kind of Blue is like being a writer after Shakespeare—Miles did it first ... WebJan 26, 2015 · First, let's look at "getting me high, and making me low". To "get high" means to reach a state of euphoria or bliss, often through the use of drugs. Conversely, to be "low" means to be depressed, dejected, or diminished. In context, it means "that blue" is creating both positive and negative emotions. Blue is ambiguous here.

Kind Of Blue Miles Davis Official Site

WebMay 26, 2006 · In honor of Miles Davis' 80th birthday Friday, writer and poet Quincy Troupe discusses the song "Blue in Green," from Davis' classic 1959 album Kind of Blue. WebKaa (का کا Kā Indian rock python) – Mowgli's wise mentor and friend, though also feared throughout the jungle for his mesmerizing "hunger dance". He is absent in 1998's The Jungle Book: Mowgli's Story. Hathi (हाथी ہاتھی Hāthī "Elephant"; Indian elephant) – The chief and leader of the jungle's elephants. Shere Khan ... crystal flooring

Coolio

WebMar 15, 2013 · 1. 3y. DoubleZ. 98. The History of the Albums - n° 114. Miles pt.4 // Invisible [I invite you to read my previous reviews on Miles Davis, you will find the list below, in order to better understand his life and this one]. Here we are, dear Kind of Blue. Today I'm revisiting again one of the best jazz albums of all time, at least if you don't ... WebAll Blues. " All Blues " is a jazz composition by Miles Davis first appearing on the influential 1959 album Kind of Blue. It is a twelve-bar blues in 6. 8; the chord sequence is that of a basic blues and made up entirely of seventh chords, with a ♭ VI in the turnaround instead of just the usual V chord. In the composition's original key of G ... Web00:00. 00:00. A simple melodic idea, Miles stresses the b9 on the D7 and #9 on the Eb7. And the idea has great melodic continuity because he’s leading to the b9 and the #9 by using a small piece of the diminished scale. This technique is super powerful here because the 3rd of D7 (F#) happens to be the #9 of Eb7. dwayne need\u0027s wpf airspacedecorator